PHANTOM

 

Just the camera with bare necessities or fully outfitted kits, ready to hit the ground running.

And we have some of the most experienced Phantom Techs and Operators in the business.

 

Phantom Flex4K

 The current king of high speed cinema. Filming at up to 1,000 fps at 4K or 2,000 fps at 2K, with a sensor that continues to astound us with its sharpness and 14 stops of latitude, allowing for buttery smooth gradations.

The current king of high speed cinema. Filming at up to 1,000 fps at 4K or 2,000 fps at 2K, with a sensor that continues to astound us with its sharpness and 14 stops of latitude, allowing for buttery smooth gradations.

Phantom Veo4K

 About half the cost of the Flex4K, this camera is a good choice if your project needs just a few slow motion shots per day. It’s also a good choice if your project is happy with 2K resolution. It has the same sensor as the Flex4K, capable of making the same remarkable pictures.

About half the cost of the Flex4K, this camera is a good choice if your project needs just a few slow motion shots per day. It’s also a good choice if your project is happy with 2K resolution. It has the same sensor as the Flex4K, capable of making the same remarkable pictures.

Phantom v2512

 If you need to slow down bullets or hummingbird wings, nothing beats this camera in terms of frame-rate per resolution. It’s highest resolution is 720p, filming up 28,000 fps. At lower resolutions, it comfortably gets up to 80,000 fps. Further lowering the resolution, it maxes out at 1,000,000 fps.

If you need to slow down bullets or hummingbird wings, nothing beats this camera in terms of frame-rate per resolution. It’s highest resolution is 720p, filming up 28,000 fps. At lower resolutions, it comfortably gets up to 80,000 fps. Further lowering the resolution, it maxes out at 1,000,000 fps.

 ARRI

Arri Alexa LF

 A powerhouse among digital cinema cameras, its large format sensor films up to 4.5K resolution and simply nothing beats it in terms of latitude and overall picture quality.

A powerhouse among digital cinema cameras, its large format sensor films up to 4.5K resolution and simply nothing beats it in terms of latitude and overall picture quality.

Arri Alexa Mini

 Arri’s current flagship and a workhorse on today’s film and tv sets.

Arri’s current flagship and a workhorse on today’s film and tv sets.

Arri Amira

 Our favorite documentary camera.

Our favorite documentary camera.

 
 
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DRONES

Inspire 2 X7
Inspire 1 X5R

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PL LENSES

Atlas Anamorphic
40mm, 65mm, 100mm

Vintage Rehoused Canon FD Primes
14mm, 20mm, 24mm, 28mm, 35mm, 55mm, 85mm, 100mm, 135mm

Sigma Cine Primes
14mm, 20mm, 24, 25mm, 50mm, 85mm, 135mm

Canon Cine Servo 17-120mm

LENSES

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CANON EF LENSES

Rokinon Primes
14mm, 24mm, 35mm, 50mm, 85mm, 135mm

Canon 300mm

Canon L Series Zooms
16-35mm, 24-70mm, 70-20mm

Nikon Primes (adaptable to EF)
14mm, 20mm, 50mm, 85mm, 2x Extender

Nikon Zooms (adaptable to EF)
24-85mm Macro, 28-70mm, 80-200mm

Canon Cine Servo 17-120mm

 
 
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LIGHTING & GRIP

Astera PixelTube Kit
S2 LiteMat 4
S2 LiteMat 2L
S2 LiteMat 1
Kino Flo Select 31
Digital Sputnik DS 1

Arri Skypanel S60
Arri M18
Fresnel 2K
Fresnel 1K
Fresnel 650w
Fresnel 300w
Source Four Leko

Grip Packages Available - Trucks Available - Small, Medium, Large

 
 
 

STUDIO

Insert Stage perfect for:
Product Shots
Table Top
Portraits

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